Terry Tempest Williams
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In the spring of 1983, Terry Tempest Williams learned that her mother was dying of cancer. That same spring, Great Salt Lake began to rise to record heights, threatening the birds that Williams had come to guage her life by. Interweaving these narratives of dying and accommodation, this book transforms tragedy into a document of renewel and spiritual grace.
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In these new essays, Williams explores the concept of erosion: of the land, of the self, of belief, of fear. She wrangles with the paradox of desert lands and the truth of erosion: What is weathered, worn, and whittled away through wind, water, and time is as powerful as what remains.
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When artist Tom Curry first moved to Maine, his house overlooked a small, uninhabited island in Eggemoggin Reach. One day, while rowing across to the island, his boyhood fear of water came crashing in on him. So he decided to explore his fear head-on, and began painting the island "as a way to delve into my own darkness and seek a way back to the surface." That series of paintings, capturing the island in all lights, weathers, and moods, forms the...
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Williams speaks out for some of the most disavowed individuals on the planet: prairie dogs, who are threatened with extinction, and Rwandan refugees. She deftly draws meaning out of moments of devastation with inspiring stories of rodents who pray at sunrise and sunset and a mother who, after losing her child to the ravages of war, creates a mosaic sunflower out of the rubble.
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Environmental politics becomes a matter of sensual passion rather than political correctness in this rich, colorful mosaic of thoughts on wildness, landscape, animals, and humans. It sparkles with gems of insight mined from Williams' own profound sense of belonging in nature and includes the voice of the late Edward Abbey, maverick environmentalist and friend of hers.
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Terry takes us on a whirlwind tour of what it means to give voice to our own authenticity. It requires deep listening and fertile silences. She encourages us to speak "Mother Tongue" - speaking from the belly rather than the mind.
She laments that in Western culture "the language of economics has power, the language of the law has power, the language of science has power. But an intelligence of the heart, an emotional intelligence, or a poetic sensibility,...
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Williams connects two catastrophic events: living downwind of atomic nuclear testing in the deserts of Utah and the record breaking flooding of the Great Salt Lake. These events have deeply affected her sense of the need for refuge. She poetically conveys to us her personal perspectives on grief, love, and the spirituality of nature, lake and desert.
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Here we stare down our present situation without flinching but with radical hope as Williams reminds us that love and beauty are felt in chaos and heartbreak. Healing is going beyond anger; It's a process of eroding and evolving at once. We must let go of our certainty to come back into a place of communion and communication with each other and with the earth.
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Williams tells the story of her initiation by the living land when she was 7 years old. While taking a school trip she ended up alone, in the dark, in Mount Timpanogos Cave. For a brief but powerful moment she felt the beating heart of the mountain. She says, "For the rest of my life I've been trying to retrieve that sacred space I felt inside that mountain alone. I have been searching for that moment when you're part of something so old, so deep,...
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2002
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In this potent collage of stories, essays, and testimony, Williams makes a stirring case for the preservation of America’s Redrock Wilderness in the canyon country of southern Utah.
As passionate as she is persuasive, Williams, the beloved author of Refuge, is one of the country’s most eloquent and imaginative writers. The desert is her blood. Here she writes lyrically about the desert’s power...
As passionate as she is persuasive, Williams, the beloved author of Refuge, is one of the country’s most eloquent and imaginative writers. The desert is her blood. Here she writes lyrically about the desert’s power...
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"A personal, lyrical, and idiosyncratic ode to our national parks"--
"For years, America's national parks have provided public breathing spaces in a world in which such spaces are steadily disappearing, which is why close to 300 million people visit the parks each year. Now, to honor the centennial of the National Park Service, Terry Tempest Williams, the author of the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary...
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Terry Tempest Williams presents a sharp-edged perspective on the ethics and politics of place, spiritual democracy, and the responsibilities of citizen engagement. By turns elegiac, inspiring, and passionate, The Open Space of Democracy offers a fresh perspective on the critical questions of our time.
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2012
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In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams (beloved author of "Refuge") creates a lyrical and caring meditation of the mystery of her mother's journals .. and what it means to have a voice beyond a selfless existence informed by children and a husband.
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1987, c1984
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This unusual book is an introduction to Navajo culture by a storyteller. Steeped in the lore of the Navajo reservation, where she worked as a teacher, the author came to see Navajo legend and ritual as touchstones for evaluating her own experience. She presents them here as a means for all people to locate their own history, traditions, and sense of how to live well.
18) Leap
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©2000
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A spiritual meditation on Hieronymus Bosch's fifteenth-century Flemish masterpiece "The Garden of Delights," a triptych in which he depicts Paradise, Earthly Delights, and Hell.