The Mississippi River Festival
(eBook)

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Published
Arcadia Publishing Inc., 2006.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781439633229

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Citations

APA Citation, 7th Edition (style guide)

Amanda Bahr-Evola., & Amanda Bahr-Evola|AUTHOR. (2006). The Mississippi River Festival . Arcadia Publishing Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Amanda Bahr-Evola and Amanda Bahr-Evola|AUTHOR. 2006. The Mississippi River Festival. Arcadia Publishing Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Amanda Bahr-Evola and Amanda Bahr-Evola|AUTHOR. The Mississippi River Festival Arcadia Publishing Inc, 2006.

MLA Citation, 9th Edition (style guide)

Amanda Bahr-Evola, and Amanda Bahr-Evola|AUTHOR. The Mississippi River Festival Arcadia Publishing Inc., 2006.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDe294d31c-6dbf-8662-e9f6-ec6f6bde42f8-eng
Full titlemississippi river festival
Authorbahr evola amanda
Grouping Categorybook
Last Update2023-02-17 23:46:42PM
Last Indexed2024-04-27 04:03:02AM

Hoopla Extract Information

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    [synopsis] => In 1969, Southern Illinois University Edwardsville initiated a remarkable performing arts series called the Mississippi River Festival. Over 12 summer seasons, between 1969 and 1980, the festival presented 353 events showcasing performers in a variety of musical genres, including classical, chamber, vocal, ragtime, blues, folk, bluegrass, barbershop, country, and rock, as well as dance and theater. During those years, more than one million visitors flocked to the spacious Gyo Obata-designed campus in the countryside near St. Louis. The Mississippi River Festival began as a partnership promoting regional cooperation in the realm of the performing arts. Southern Illinois University Edwardsville invited the St. Louis Symphony to establish residence on campus and to offer a summer season. To host the symphony, the university created an outdoor concert venue within a natural amphitheater by installing a large circus tent, a stage and acoustic shell, and a sophisticated sound system. To appeal to the widest possible audience, the university included contemporary popular musicians in the series. The audacity of the undertaking, the charm of the venue, the popularity of the artists, the excellence of the performances, and the nostalgic memory of warm summer evenings have combined to endow the festival with legendary status among those who attended.
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