Bobby Rush: "Blues Singer--Plus": From Southern Cultures, Volume 17: Number 4, Winter 2011: Music
(eBook)

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UNC Center for the Study of the American South, 2011.
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Available Online

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Format
eBook
Language
English
ISBN
9780807872536

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Citations

APA Citation, 7th Edition (style guide)

William Ferris., & William Ferris|AUTHOR. (2011). Bobby Rush: "Blues Singer--Plus": From Southern Cultures, Volume 17: Number 4, Winter 2011: Music . UNC Center for the Study of the American South.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

William Ferris and William Ferris|AUTHOR. 2011. Bobby Rush: "Blues Singer--Plus": From Southern Cultures, Volume 17: Number 4, Winter 2011: Music. UNC Center for the Study of the American South.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

William Ferris and William Ferris|AUTHOR. Bobby Rush: "Blues Singer--Plus": From Southern Cultures, Volume 17: Number 4, Winter 2011: Music UNC Center for the Study of the American South, 2011.

MLA Citation, 9th Edition (style guide)

William Ferris, and William Ferris|AUTHOR. Bobby Rush: "Blues Singer--Plus": From Southern Cultures, Volume 17: Number 4, Winter 2011: Music UNC Center for the Study of the American South, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID4271ea19-b589-d438-208c-0e316006ade9-eng
Full titlebobby rush blues singer plus from southern cultures volume 17 number 4 winter 2011 music
Authorferris william
Grouping Categorybook
Last Update2024-05-14 23:01:35PM
Last Indexed2024-06-11 00:38:45AM

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    [synopsis] => I try to get the people in my hand, for them to love me, and once I get them in my hand, I can then tell them what I've come to tell them. And I come to tell them about the blues. It's just like a preacher."The consummate Chiltin' Circuit performer talks women, finding his crossover audience, and masquerading as two different people on the same stage in one night.This article appears in the 2011 Music issue of Southern Cultures.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
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