Toward the Geopolitical Novel: U.S. Fiction In The Twenty-First Century
(eBook)

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Published
Columbia University Press, 2013.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780231536318

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Citations

APA Citation, 7th Edition (style guide)

Caren Irr., & Caren Irr|AUTHOR. (2013). Toward the Geopolitical Novel: U.S. Fiction In The Twenty-First Century . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Caren Irr and Caren Irr|AUTHOR. 2013. Toward the Geopolitical Novel: U.S. Fiction In The Twenty-First Century. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Caren Irr and Caren Irr|AUTHOR. Toward the Geopolitical Novel: U.S. Fiction In The Twenty-First Century Columbia University Press, 2013.

MLA Citation, 9th Edition (style guide)

Caren Irr, and Caren Irr|AUTHOR. Toward the Geopolitical Novel: U.S. Fiction In The Twenty-First Century Columbia University Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDc2e1ac73-a40f-b717-e259-dbc8684568f0-eng
Full titletoward the geopolitical novel u s fiction in the twenty first century
Authorirr caren
Grouping Categorybook
Last Update2023-02-17 23:46:42PM
Last Indexed2024-05-11 05:38:12AM

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    [synopsis] => During his career Stanley Kubrick became renowned for undertaking lengthy and exhaustive research prior to the production of all his films. In the lead-up to what would eventually become Dr. Strangelove (1964), Kubrick read voraciously and amassed a substantial library of works on the nuclear age. With rare access to unpublished materials, this volume assesses Dr. Strangelove's narrative accuracy, consulting recently declassified Cold War nuclear-policy documents alongside interviews with Kubrick's collaborators. It focuses on the myths surrounding the film, such as the origins and transformation of the "straight" script versions into what Kubrick termed a "nightmare comedy." It assesses Kubrick's account of collaborating with the writers Peter George and Terry Southern against their individual remembrances and material archives. Peter Sellers's improvisations are compared to written scripts and daily continuity reports, showcasing the actor's brilliant talent and variations.
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