Marxism and Form: 20th-Century Dialectical Theories of Literature
(eBook)

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Published
Princeton University Press, 2016.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781400884506

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APA Citation, 7th Edition (style guide)

Fredric Jameson., & Fredric Jameson|AUTHOR. (2016). Marxism and Form: 20th-Century Dialectical Theories of Literature . Princeton University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Fredric Jameson and Fredric Jameson|AUTHOR. 2016. Marxism and Form: 20th-Century Dialectical Theories of Literature. Princeton University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Fredric Jameson and Fredric Jameson|AUTHOR. Marxism and Form: 20th-Century Dialectical Theories of Literature Princeton University Press, 2016.

MLA Citation, 9th Edition (style guide)

Fredric Jameson, and Fredric Jameson|AUTHOR. Marxism and Form: 20th-Century Dialectical Theories of Literature Princeton University Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDd775472f-da08-3cfd-6311-adc49a54566d-eng
Full titlemarxism and form 20th century dialectical theories of literature
Authorjameson fredric
Grouping Categorybook
Last Update2024-05-14 23:01:35PM
Last Indexed2024-06-01 06:50:54AM

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First LoadedMar 3, 2023
Last UsedSep 20, 2023

Hoopla Extract Information

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    [synopsis] => For more than thirty years, Fredric Jameson has been one of the most productive, wide-ranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provided a pioneering account of the work of the major European Marxist theorists--T. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Lukács, and Jean-Paul Sartre--work that was, at the time, largely neglected in the English-speaking world. Through penetrating readings of each theorist, Jameson developed a critical mode of engagement that has had tremendous in.uence. He provided a framework for analyzing the connection between art and the historical circumstances of its making--in particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form.



 Jameson's presentation of the critical thought of this Hegelian Marxism provided a stark alternative to the Anglo-American tradition of empiricism and humanism. It would later provide a compelling alternative to poststructuralism and deconstruction as they became dominant methodologies in aesthetic criticism.



 One year after Marxism and Form, Princeton published Jameson's The Prison-House of Language (1972), which provided a thorough historical and philosophical description of formalism and structuralism. Both books remain central to Jameson's main intellectual legacy: describing and extending a tradition of Western Marxism in cultural theory and literary interpretation.
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