Making Worlds: Affect and Collectivity in Contemporary European Cinema
(eBook)

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Published
Columbia University Press, 2020.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780231550697

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APA Citation, 7th Edition (style guide)

Claudia Breger., & Claudia Breger|AUTHOR. (2020). Making Worlds: Affect and Collectivity in Contemporary European Cinema . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Claudia Breger and Claudia Breger|AUTHOR. 2020. Making Worlds: Affect and Collectivity in Contemporary European Cinema. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Claudia Breger and Claudia Breger|AUTHOR. Making Worlds: Affect and Collectivity in Contemporary European Cinema Columbia University Press, 2020.

MLA Citation, 9th Edition (style guide)

Claudia Breger, and Claudia Breger|AUTHOR. Making Worlds: Affect and Collectivity in Contemporary European Cinema Columbia University Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID6248e0b7-1849-4088-8a37-ad9866297844-eng
Full titlemaking worlds affect and collectivity in contemporary european cinema
Authorbreger claudia
Grouping Categorybook
Last Update2024-05-14 23:01:35PM
Last Indexed2024-05-21 02:39:33AM

Book Cover Information

Image Sourcehoopla
First LoadedOct 1, 2023
Last UsedOct 1, 2023

Hoopla Extract Information

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    [synopsis] => The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends. 

Breger offers nuanced readings of major contemporary films such as Michael Haneke's The White Ribbon, Alejandro González Iñárritu's Biutiful, Fatih Akın's The Edge of Heaven, Asghar Farhadi's A Separation, and Aki Kaurismäki's refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others' present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred.
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