Anti-Music: Jazz and Racial Blackness in German Thought between the Wars
(eBook)

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Published
State University of New York Press, 2018.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781438469881

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APA Citation, 7th Edition (style guide)

Mark Christian Thompson., & Mark Christian Thompson|AUTHOR. (2018). Anti-Music: Jazz and Racial Blackness in German Thought between the Wars . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Mark Christian Thompson and Mark Christian Thompson|AUTHOR. 2018. Anti-Music: Jazz and Racial Blackness in German Thought between the Wars. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Mark Christian Thompson and Mark Christian Thompson|AUTHOR. Anti-Music: Jazz and Racial Blackness in German Thought between the Wars State University of New York Press, 2018.

MLA Citation, 9th Edition (style guide)

Mark Christian Thompson, and Mark Christian Thompson|AUTHOR. Anti-Music: Jazz and Racial Blackness in German Thought between the Wars State University of New York Press, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDe1a9d1be-cf53-22c2-2e4a-1a800f6f10d6-eng
Full titleanti music jazz and racial blackness in german thought between the wars
Authorthompson mark christian
Grouping Categorybook
Last Update2023-09-05 19:05:41PM
Last Indexed2024-05-11 06:25:23AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 23, 2023
Last UsedDec 23, 2023

Hoopla Extract Information

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    [synopsis] => Examines how African American jazz music was received in Germany both as a racial and cultural threat and as a partner in promoting the rise of Nazi totalitarian cultural politics.

Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory.
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