Literature and Skepticism
(eBook)

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Published
State University of New York Press, 2022.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781438486819

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Citations

APA Citation, 7th Edition (style guide)

Pablo Oyarzun., & Pablo Oyarzun|AUTHOR. (2022). Literature and Skepticism . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Pablo Oyarzun and Pablo Oyarzun|AUTHOR. 2022. Literature and Skepticism. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Pablo Oyarzun and Pablo Oyarzun|AUTHOR. Literature and Skepticism State University of New York Press, 2022.

MLA Citation, 9th Edition (style guide)

Pablo Oyarzun, and Pablo Oyarzun|AUTHOR. Literature and Skepticism State University of New York Press, 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID810c5ee4-f443-10ad-e346-071ff4b90806-eng
Full titleliterature and skepticism
Authoroyarzun pablo
Grouping Categorybook
Last Update2023-09-05 19:05:41PM
Last Indexed2024-04-27 01:59:10AM

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    [synopsis] => Examines the skeptical foundations of literature in order to reassess the status of fiction.

Literature and Skepticism links the skeptic attitude to the conditions of possibility in (modern) literature—in particular, the narrative form and the essay. Pablo Oyarzun proposes that narrative and the essay document the relationship between literature and skepticism in different but complementary and, at the same time, complicit ways. As the narrative performance reaches the structural limit of the literary—understood as the domain of fiction—a sort of para-discursive reflection critically accompanies this performance, discussing it, ironizing it, feigning to disbelieve it, or overtly belying it. Yet the narrative doubtfully takes distance from itself, surrendering all right to a final truth at the very moment at which truth emerges, essayistic, to the surface. The authors considered—Montaigne, Swift, Lichtenberg, Kleist, Kafka, and Borges—are eminent representatives of one and the other form, and all of the works analyzed are cases of a complex interplay between narrative and essay.
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