Great Masters: Stravinsky - His Life and Music
(eAudiobook)

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Published
The Great Courses, 2000.
Status
Available Online

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Physical Description
6h 0m 0s
Format
eAudiobook
Language
English
ISBN
9781682764114

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Citations

APA Citation, 7th Edition (style guide)

Robert Greenberg., Robert Greenberg|AUTHOR., & Robert Greenberg|READER. (2000). Great Masters: Stravinsky - His Life and Music . The Great Courses.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Robert Greenberg, Robert Greenberg|AUTHOR and Robert Greenberg|READER. 2000. Great Masters: Stravinsky - His Life and Music. The Great Courses.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Robert Greenberg, Robert Greenberg|AUTHOR and Robert Greenberg|READER. Great Masters: Stravinsky - His Life and Music The Great Courses, 2000.

MLA Citation, 9th Edition (style guide)

Robert Greenberg, Robert Greenberg|AUTHOR, and Robert Greenberg|READER. Great Masters: Stravinsky - His Life and Music The Great Courses, 2000.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID4c70b285-7a02-d366-5b2f-297dc36b98d0-eng
Full titlegreat masters stravinsky his life and music
Authorgreenberg robert
Grouping Categorybook
Last Update2024-05-14 23:01:35PM
Last Indexed2024-05-16 00:47:14AM

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First LoadedJun 13, 2022
Last UsedApr 4, 2024

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    [synopsis] => When it comes to creative longevity, brilliance across a range of styles, and near-universal fame, Igor Stravinsky (1882—1971) is nearly unrivaled among 20th-century artists. Stravinsky's career was a dizzying progression across the miles and the decades, from fin de siècle czarist Russia to Southern California in the 1960s. His career features styles ranging from nationalism and Impressionism to Fauvism, Neoclassicism, and the 12-tone ultra-serialism of Anton Webern and Alban Berg. Professor Robert Greenberg presents this long-lived master of musical creativity as a one-man compendium of people, places, compositional styles, and techniques, his life and music a virtual artistic history of the West from the 1890s to the late 1960s. Even a partial list of Stravinsky's friends and collaborators reads like a "who's who" of 20th-century Western culture: Picasso, Rimsky-Korsakov, Diaghilev, Nijinsky, Balanchine, Puccini, Satie, Debussy, Ravel, Prokofiev, Rachmaninoff, Jean Cocteau, Dylan Thomas, Nicholas Nabokov, Paul Klee, Leonard Bernstein, Pierre Boulez, Aldous Huxley, T. S. Eliot, Woody Herman, even Zsa Zsa Gabor. "Stravinsky, without a doubt, was a supreme original," says Professor Greenberg. "We study him to see what, aside from the unaccountable gift of genius, made this originality possible."
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